Nous publions ci-desssous deux extraits d'une étude sur la métaphysique de la mort, due à un jeune chercheur américain, M. James Lawler, et traduite de l'anglais par Mme Ch. Devivaise. Même si le nom de Maurice Blondel n'est pas cité, on reconnaîtra l'inspiration blondélienne de ces pages, et on rappellera que M. Blondel a consacré à la « métaphysique de la mort » les pages 176 à 187 du tome II de La Pensée. We publish here two fragments of (...) a study about Metaphysics of Death, written by a young american philosopher, Mr James Lawler, and translated from English by Mrs Devivaise. Even if there is no mention of the name of Maurice Blondel, it is easy to acknowledge the blondelian inspiration of these pages, especially when recalled that M. Blondel consecrated to Metaphysics of Death the pages 176 to 187 (vol. II) of The Thought. (shrink)

Este trabajo versa sobre la aplicación a los artefactos técnicos del enfoque filosófico propuesto por Daniel Dennett para elucidar el ámbito de las cosas artificiales. En particular, sugiere dos cosas. Por una parte, que esta aplicación no nos permite entender acabadamente la dimensión normativa que cubre la esfera práctica de nuestra producción y uso de artefactos técnicos. Por otra, que ella promueve un criterio sumamente liberal de la atribución de funciones a los artefactos técnicos que desfigura la idea misma de (...) función técnica. Este trabajo tiene tres partes. En la primera se caracteriza la hermenéutica artefactual promovida por la propuesta dennettiana. Se analizan, especialmente, las tres actitudes dennettianas, a saber, la actitud física, la actitud del diseño y la actitud intencional. Además, se considera el punto de vista de la ingeniería inversa. En la segunda parte se discute la analogía entre textos y artefactos y se reconstruye la estrategia incrustada en esta analogía. En la última parte se presenta un balance crítico de la propuesta filosófica de Dennett en su aplicación al ámbito de los artefactos técnicos. (shrink)

Poe’s influence on the Symbolists has been traced on many occasions, though not in detail. The classical study in English is Eliot’s “From Poe to Valéry,” a Library of Congress lecture delivered three years after Valéry’s death.2 Eliot defines Poe as irresponsible and immature—irresponsible in style, immature in vision. He had, Eliot comments, “the intellect of a highly gifted young person before puberty”; “all of his ideas seem to be entertained rather than believed” . How, then, we ask, did he (...) hoax the sophisticated French? Although Eliot raises the issue of their relative ignorance of English, he prudently does not make much of it: after all, we know that Baudelaire spent seventeen years on the tales, Mallarmé still longer on the poems—thirty years for the definitive text; while Valéry, to whom Baudelaire and Mallarmé left little to translate, managed a version of the Marginalia. Each might have said, as Mallarmé did in 1885, that he had learned English for one sole reason: “to read Poe better.”3 In the matter of linguistic competence, then, Eliot is content to remark that the French poets “were not disturbed by weaknesses of which we are very much aware” . He underlines, however, that Poe showed different facets of himself to each of his readers who adopted him in various ways: Baudelaire focused on the Poète maudit, Mallarmé on the prosodist, and Valéry on the theoretician in whom he discovered “a method and an occupation—that of observing himself write” . So Poe had a diverse effect, which Eliot accepts more readily in respect of Baudelaire and Mallarmé than he does of Valéry. To explain this last case which intrigues him especially, he introduces a paradox: “with Poe and Valéry, extremes meet,” he writes, “the immature mind playing with ideas because it had not developed to the point of convictions, and the very adult mind playing with ideas because it was too skeptical to hold convictions” .Thus Eliot damns Poe with faint praise. The distance between cause and effect, master and disciples is so vast that it can only be thought the product of monstrous error. And yet “from Poet to Valéry” and the complementary studies in English or French of the past thirty-five years neglect some deeper factors that drew the Symbolists. Misreadings there were no doubt since such are in the nature of things, but these authors were sensitive to currents that others overlooked. They attempted to go to first principles, not only because Poe was “ce poète incomparable, ce philosophe non refute” 4 and, therefore, worthy of scrutiny, but because they held him to be vital to their future thought. In a period of great social and aesthetic change they found a figure of radical independence—classicist, visionary, logician supreme—whom they explained by convergent tropes of daemonic power. In this regard the newly published correspondence of Mallarmé and the massive Valéry notebooks have added to our knowledge. I would like, then, to consider the nature of Poe’s action, this submerged dialogue in time and successive rewriting by which—“à l’égal de nos maître les plus chers ou vénérés,” as Mallarmé put it5—he entered the mainstream of French poetry. 2. The lecture was later published in Hudson Review 2 : 335; all further references to this work, abbreviated “FPV,” will be included in the text.3. Mallarmé, “Autobiographie,” Oeuvres completes, p. 662.4. Baudelaire, “Le Poème du hachisch,” Oeuvres complètes, 1:427.5. Mallarmé, “Scolies,” Oeuvres completes, p. 223. James Lawler, Edward arson Waller Distinguished Service Professor of French at the University of Chicago, has written extensively on nineteenth- and twentieth-century French poetry. Among his books are Lecture de Valéry, The Language of French Symbolism, The Poet as Analyst, and René Char: The Myth and the Poem. He is currently completing a study of Buadelaire’s Les Fleurs du mal. (shrink)

La actitud del diseño es una estrategia interpretativa propuesta por Dennett, que consiste en tratar al sistema, cuyo “comportamiento” se quiere predecir, bajo el supuesto de que sus partes cumplen funciones que obedecen a un diseño satisfactorio. Sin embargo, estudios recientes sobre atribución funcional en artefactos técnicos consideran que la actitud del diseño supone una estrategia inadecuada para entender qué hace un artefacto técnico. En particular, dos críticas han ganado visibilidad. Por una parte, Vermaas et al. (2013) señalan una inconsistencia (...) en la propuesta dennettiana de la actitud del diseño: las intenciones del diseñador a veces desempeñan un papel en la interpretación de los artefactos y a veces no lo hacen, sin tener finalmente una intuición clara sobre su rol. Por otra parte, Vaesen y Van Amerongen (2008) sostienen que la actitud del diseño admite dos interpretaciones, una descriptiva y una normativa, y que ambas son implausibles. No obstante, en este trabajo argumentamos que estas críticas son rebatibles y que el problema reside en que ambas acusaciones, i.e. inconsistencia e implausibilidad, suponen una interpretación incorrecta de la posición de Dennett. The design attitude is an interpretive strategy proposed by Dennett, which consists of treating the system, whose “behavior” is to be predicted, under the assumption that its parts fulfill functions that accomplish a satisfactory design. Recent studies on technical artifacts' functional attribution claim that the design attitude is an inadequate strategy to elicit what a technical artifact does. In particular, two criticisms have gained visibility. On the one hand, Vermas et al (2013) remark an inconsistency in Dennett’s design stance. The very designer's intentions sometimes play a role in the interpretation of artifacts and sometimes they don´t, without finally having a clear intuition about their role. On the other hand, Vaesen and Van Amerongen (2008) argue that the design stance admits two interpretations, a descriptive and a normative one and that both are implausible. However, we argue that these criticisms miss the point given that both accusations, i.e. of inconsistency and of implausibility, result from a wrong interpretation of Dennett's position. (shrink)

Review of Henk de Regt's "Understanding Scientific Understanding".

Through our work to examine mathematical and computational learning in authentic and convivial contexts that requires creativity, imagination, reasoning, and discourse, we have theorized an experiential learning cycle that attends to the development of voice, agency, and identity needed in young people for an earned insurgency—the right to demand change. Our work underscores how the current situation that many students face in classrooms amounts to a type of cognitive segregation that denies these students access to authentic and empowering intellectual agency. (...) By facilitating a process whereby students, using their own creative and imaginative means, intentionally develop a type of ownership over the exploration and application of the mathematical concepts they are being taught, we help students move from simple surface level, syntactic understandings, to deeper semantic learning that is more personally significant and meaningful. (shrink)

Alexis de Tocqueville asserted that America had no truly great literature, and that American writers merely mimicked the British and European traditions of the eighteenth and nineteenth centuries. This new edited collection masterfully refutes Tocqueville's monocultural myopia and reveals the distinctive role American poetry and prose have played in reflecting and passing judgment upon the core values of American democracy. The essays, profiling the work of Mark Twain, F. Scott Fitzgerald, John Updike, Edith Wharton, Walt Whitman, Henry James, Willa Cather, (...) Walker Percy, and Tom Wolfe, reveal how America's greatest writers have acted as society's most ardent cheerleaders and its most penetrating critics. Christine Dunn Henderson's exciting new work offers literature as a portal through which to view the philosophical principles that animate America's political order and the mores which either reinforce or undermine them. (shrink)

Al interior de la filosofía de la técnica, el debate sobre la acción es recurrente y recientemente muestra discusiones polarizadas. En un extremo, se encuentran los defensores de una teoría estándar de la acción (TEAI), quienes sostienen que la acción interesante es únicamente humana, con base en las intenciones de los sujetos y, aplicada objetos técnicos, vinculada a su función. En el otro extremo, encontramos a quienes sostienen la posibilidad de que elementos no humanos también posean capacidad de transformación, más (...) próximos a lo que se denomina una “teoría de la agencia”. En un esfuerzo inicial para revisar la potencialidad de la TEAI para su abordaje en el campo de estudios de la técnica y la tecnología, revisitamos la noción de intencionalidad. Para ello, dividimos el trabajo en tres partes. En la primera parte, caracterizamos los rasgos básicos de la TEAI. En la segunda parte, desde los aportes de la filosofía de la mente, analizamos internamente la distinción entre intencionalidad original y derivada (Dennett). Finalmente, desde los aportes de la Teoría del Actor-red, revisamos externamente la acción intencional desde algunos desplazamientos propuestos por la ontología relacional, con nociones como actantes y ensamblajes (Latour). Consideramos que estas reflexiones contribuyen a repensar las transformaciones contemporáneas del mundo artificial. (shrink)

This work promotes the thesis that humans are naturally transhuman. In order to achieve this, we present in the first two sections some examples of technological devices assembled to human beings, and we critically review the assumptions and dichotomies on which the idea of human enhancement is based according to the ordinary transhumanist vision. Thirdly, we present the thesis of the Extended Mind to support our intuition. Fourthly, we dismantle the most relevant philosophical dichotomies that structure the transhumanist position. Finally, (...) we recapitulate the reasons why we should wake up from the transhumanist dream. (shrink)

Can original philosophy be done while simultaneously engaging in the history of philosophy? Such a possibility is questioned by analytic philosophers who contend that history contaminates good philosophy, and by historians of philosophy who insist that theoretical predecessors cannot be ignored. Believing that both camps are misguided, the contributors to this book present a case for historical philosophy as a valuable enterprise. The contributors include: Todd L. Adams, Lilli Alanen, Jos? Bernardete, Jonathan Bennett, John I. Biro, Phillip Cummins, Georges Dicker, (...) Daniel A. Dombrowski, Daniel Garber, Josiah Gould, Jorge J.E. Gracie, Daniel Graham, Charles Griswold, James Lawler, Rudolf Luthe, Edward H. Madden, George Mavrodes, Gerald E. Myers, Jonathan R?e, Frithjof Rodi, Kenneth L. Schmitz, Vladimir Shtinov, David G. Stern, Robert Turnbull, James Van Cleve, Frederick Van De Pitte, Henry Beatch, and Richard Watson. (shrink)

Rio de Janeiro, the opening of the carnival. On the Friday evening preceding Mardi Gras, the mayor of Rio hands over the keys to the city to King Momo, sovereign of the carnival. Immediately the samba breaks out in the brightly lit streets of the city. Newspapers, magazines and television feature big headlines describing the event and glorifying the holiday kingdom. They all report that the city is being shaken by winds of madness, that licence and inversions of every variety (...) are rampant, that the leveling of individuals and the abolition of social distances illustrate the resolutions of conflicts in a collective dream of joy and happiness…. (shrink)

La prévalence des situations de maltraitance sur enfants demeure importante, celles-ci intervenant habituellement dans le cadre familier de la jeune victime. Si de nombreux aspects théoriques et cliniques des formes de maltraitance sont aujourd’hui étudiés, peu de travaux se centrent sur les questions spécifiques des transgressions commises par les grands-parents. À partir d’une vignette clinique, l’auteur montre l’utilité d’une prise en charge s’appuyant sur les temps successifs que constituent l’évaluation et le traitement. Tenir un cadre et évaluer, c’est-à-dire faire émerger (...) d’un côté les ressources, de l’autre les défaillances, représente par essence un temps constructif. Quatre catégories principales de fonctionnement psychique des grands-parents maltraitants sont retrouvées. Comme la plupart de ceux-ci relèvent de soins individuels et familiaux, on gagne en efficacité par une diffraction des tâches via un travail en réseau. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:LUBLIN THOMISM 1 THE TEXTS of the philosophers associated with the Catholic University of Lublin, thanks to the tireless work and energy of an editorial board under bhe direction and support of Marie Lescoe, are at last appearing in English.2 'Dhe Lublin school is Thomist in inspiration and avowed adherence. It is Thomist, however, in a manner which makes liberal use of the works of Continental philosophers in the (...) phenomenological and "existentialist" traditions: hence the label, "existential personaiism." 3 A supplementary label of this sort is needed if we are to include within the Lublin school the work of one of its most iIIustrious members, Karol Wojtyia, whose writings employ the phenomenological method, eschew scholastic argument, and acknowledge a chief indebtedness to Max Scheler. Even the more recognizably scholastic Lublin philosophers, such as Mieczylaw Krapiec, O.P., President -Rector of the University, whose I-Man is the first complete book to be translated and printed in English, quote Roman Ingarden generously, speak familiarly about man as Being-towards-death, and discuss religion and culture in terms of intentionality. 1 Mieczylaw A. Krapiec, O.P., I-Man (New Britain: Mariel Press, 1983); (an abridged, student edition of I-11.fon-Mariel Press, 1985-is now available also); Karol Wojtyla, The Acting Person, (Boston: D. Reidel, 1979); Edmund Morawiec, "L'Objet et La Tache de la Philosophie Chretienne" in J. N. Zycinski, ed., The Human Person and Philosophy in the Contemporary World (Krakow: The Pontifical Faculty of Theology, 1980). 2 It may interest readers to know that a Chinese translation of I-Man is in preparation. The project is coordinated by Dr. Audrey Donnithorne involving the collaboration of Louis Chow and Matthias Lu. s Of. Andrew Woznicki, A Christian Humanism; Karol Wojtyla's Existential Personalism, and Ronald F. Lawler, The Christian Personalism of John Paul II (Fransciscan Herald Press, 1981). 307 308 ROGER DUNCAN Just because of their deep indebtedness to and immersion in Continental philosophy, it is important to begin by stating what the Lublin philosophers are not. They are not, first of all, phenomenologists or existentialists in the strict sense, by which I mean they do not hold the sceptical epistemological premises usually associated with these labels. Existentialists deny the classical doctrine of truth according to which truth is the adaequatio ad rern of the intellect. Instead they maintain that when I look at, say, an egg, and say to myself, " Here I am, one being among others like this egg here ", I am being naive because I have not yet seen that the distinction between myself and the egg arises within t:he phenomenal field and therefore cannot be uncritically assumed in an account of knowing. The subject-object distinction, they say, is not one more distinction between objects, like that between the egg and the chicken it came from; it cannot be understood as an intellectual grasp of one individual substance by another individual substance. For this reason, according to the existentialists, we must not think of knowledge as an overcoming of the isolation of self-consciousness, but rather as the origination of a distinction, a negative act identical with that of selfconsciousness in its self-transcendence. Awareness of the egg is not a grasp of the egg in itself so much as a self-conscious mitosis which incidentally constitutes the egg as object.4 The realist answer, as Chesterton said, is that eggs are eggs. The fact that the distinction between the egg and the chicken appears within consciousness, and that the subject can see a similarity with the distinction btween himself and the egg,.provides no argument for the unreality of either distinction unless you assume from the start that intentional objectification falsifies or fails to reach being " in itself". But this is a decision, not an a.rgument. Of course once you make it all kinds of curious and very deep condusions follow, conclusions which the Lublin Thomists deny. 4 Jean-Paul Sartre, Being and Nothingness: An Essay on Phenomenological Ontology (New York: Philosophical Library, 1956), p. 174; Karl Rahner, Spirit in the World (New York: Herder and Herder, 1968), p. 75. LUBLIN THOMISM 309 Nevertheless, it does not seem advisable to have to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Knowing the EastPatti M. MarxsenKnowing the East. By Paul Claudel. Translated by James Lawler. Princeton, NJ: Princeton University Press, 2004. 136 pp.Fifty years after his death, Paul Claudel (1868–1955) is remembered for many things. Not only was he a major twentieth-century poet and playwright, he was an astute observer of Dutch, Spanish, and Japanese art. Not only was he the brother of sculptor Camille Claudel, he was (...) a diplomat who lived for nearly twenty years in Asia, including a stint as the French ambassador to Japan (1921–1927). When he was elected as a member of the Académie Française in 1946 at nearly 80 years of age he quipped, "For an academic, that is puberty." He died at 87, having lived large in two centuries and on three continents.Following an adolescence marked with indifference toward religion, Claudel experienced a profound conversion to Catholicism during a Christmas night service at Notre Dame Cathedral in Paris at the age of 18. With Christianity at the center of his universe and under the influence of Symbolist poets Rimbaud and Mallarmé, he developed a response to the world that was at once poetic and spiritual. Through his poetry, plays, and essays, he insisted on a fundamental unity between matter and spirit, a harmonious and vast universe into which the human mind could enter. And, at least for him, the point of entry was the portal of the Church. He struggled at times, but never lost sight of his faith. For all this, he is often credited with the revival of French Catholicism in the wake of WWI. After all, if Paul Claudel could take religion seriously and find meaning in it, pourquoi pas the rest of us?The facts of his extraordinary biography form a peculiar background to the recent translation by James Lawler of Claudel's collection of prose poems titled Knowing [End Page 229] the East. First published in 1946 as Connaissance de l'est, these sixty-one texts were written between 1895 and 1905 during Claudel's first visits to China and Japan as a young vice-consul stationed in Shanghai. He was twenty-six and still finding his poetic voice. And though his stance in the world is decidedly Christian, the content of this intriguing work reveals an inner dialogue with Buddhist ideas of interconnection, harmony, the ongoing quest for a higher life condition, and the overwhelming impact of nature in the lives of mere humans.In "Pagoda," Claudel describes a seven-story Chinese pagoda as it "amplifies and multiplies the roof, exaggerates the horned corners that rise with an elegant surge, and turns their curves upward to the sky." This form that "does away with walls" and concentrates on the uplifting roof creates a space where "Buddha, Prince of Peace, dwells inside with all the gods." In this architecture he reads a structuring of physical and spiritual space, a kind of never ending upward movement divided into "the seven mystical heavens." The culminating effect is the heavenly achievement of the unknowable. And so, after going as far as he can go into the world of the spirit, he ends this prose poem with an abrupt return to temporal reality. "I have no more to say of the Pagoda. I do not know its name."Elsewhere, in "The Wanderer," he turns his sense of awe toward nature. "Every tree has its personality, every small beast its role, every voice its part in the symphony," he writes. "As one understands music, so I understand nature, like a detailed narrative of proper names; as my walk and the day advance, so does the elaboration of the doctrine." The "doctrine," it seems, is the idea of dependent origination, the interrelation of all life that springs from a single source. In the last line, he states, "I understand the world's harmony. When will I grasp its melody?"In "The Temple of Consciousness" Claudel climbs "the black rock's vertical wall, and only at this late afternoon hour do I know myself to be on the right track." Below, he observes golden rice fields. Ahead there is an "old stairway overlaid with hoary moss... (shrink)

O artigo aborda a relação entre crianças de terreiro e os seus etnosaberes produzidos no universo dos cosmosentidos do candomblé. Enquanto religião de matriz africana onde a biointeração é um dos princípios basilares, o candomblé e seu universo apresentam uma extensa gama de saberes tradicionais que são construídos e vividos no cotidiano. Compreender como as crianças de terreiro produzem seus conhecimentos traz consigo o intento de pensar a infância e seu poder criativo através de uma afroperspectiva onde a multidimensionalidade, multirreferencialidade (...) e a polissemia do saber se mostram a todo momento, nas ideias nascentes vividas, por exemplo, quando as crianças exploram o território do terreiro com a astúcia de quem conhece o que nós, adultas e adultos, não conhecemos. Na produção desenhística das crianças e nas suas narrativas é possível aprender sobre etnosaberes, cultura e ancestralidade através de itans, orikis e neolinguagens próprias dos seus universos simbólicos onde imagens e rituais didáticos unem teoria e prática, sensível e racional. Ademais, as crianças apresentam um caleidoscópio inventivo de saberes como guias para outros caminhos e possibilidades educacionais a luz das relações étnicas. (shrink)

El pathos de la democracia moderna ha sido descrito de diversos modos, aunque comúnmente en un sentido unívoco. A veces, se dice que la era de la igualdad exhibe una reflexividad y un autocontrol desapasionados; otras veces, la modernidad es retratada como un proceso de exacerbación de los deseos, o como una gran transformación de las pasiones en intereses razonables. Además, las pasiones democráticas son vistas frecuentemente como pequeños sentimientos domésticos, alienados de la esfera pública, gestionados en una intimidad clausurada, (...) y sujetos a una administración tutelar. Tocqueville —quien fue un testigo único y privilegiado de la transición del pathos aristocrático a las pasiones democráticas— nos suministra una sutil interpretación de los variados matices y los complejos vínculos que configuran los afectos modernos. En este artículo, analizamos la prognosis de Tocqueville acerca del curso del pathos democrático, pero también prestamos atención a sus temores relativos a una gestión emocional tutelar. (shrink)

A partir de uma variedade de histórias sobre a vida íntima de mulheres famosas, o jornalismo de entretenimento e de fofocas compõe avaliações e julgamentos sobre emoções e comportamentos que alimentam atribuições culturais sobre a maternidade. Este artigo identifica duas matrizes culturais implicadas na narrativa jornalística do showbiz e dos chimentos - melodrama e escândalo - e analisa sua articulação na produção biográfica sobre mães celebridades que prolifera em revistas, programas de televisão e plataformas dedicadas a notícias sobre celebridades. Enquadrado (...) na tradição crítica do discurso, o artigo investiga a encenação de melodramas e escândalos na construção jornalística de seis histórias ligadas à maternidade de celebridades argentinas famosas. A partir da análise de diferentes fontes que encadearam essas histórias, observamos uma retórica moral expressa pela alternância complementar entre histórias de infortúnio e transgressões maternas. (shrink)

O conceito de acontecimento é um dos temas centrais do pensamento de Heidegger e oferece um fio condutor para a compreensão de sua obra. Este artigo mostra como a gênese deste conceito está diretamente relacionada à transformação da fenomenologia empreendida por Heidegger ao longo de suas primeiras preleções em Freiburg e fornece algumas indicações sobre a importância deste tópico para o desenvolvimento da ontologia fundamental em Ser e tempo. Nossa análise se divide em três partes. Em primeiro lugar, abordamos a (...) relação entre a intencionalidade e mundo. O nexo do mundo é o espaço de constituição primário da experiência intencional. Essa relação aponta para a crítica de Heidegger à abstração da ontologia formal e para a estrutura do acontecimento como o modo em que se dá a experiência do eu concreto e histórico. A seguir, analisamos o conceito de fenômeno em Heidegger para distinguir sua filosofia da fenomenologia transcendental de Husserl. O elemento central dessa diferença reside na introdução da dimensão de acontecimento e situação no fenômeno, que não se encontra presente no modelo husserliano da intencionalidade. Por fim, apresentamos uma interpretação da relação entre vida fática, acontecimento e situação, para apontar algumas consequências da introdução do problema da história na fenomenologia. (shrink)

Reseña del libro: Amparo de Jesús Zárate Cuello y Orietta Ivonne Beltrán Casas. Del diagnóstico preimplantatorio al niño medicamento en Colombia: una mirada en torno a la eugenesia positiva. Legislación comparada con el ordenamiento jurídico español. Bogotá: Editorial Neogranadina, 2020. DOI: https://doi.org/10.18359/9789585103122.

O presente artigo resulta da palestra por mim proferida durante o I Simpósio de Filosofia e Literatura Clássica da Universidade Federal de Tocantins “O medo entre os Gregos e os Latinos” e da discussão que a sucedeu. Na época do evento, ocorrido de forma remota na segunda quinzena de maio de 2022, o mundo estava submerso na pandemia de Covid-19 há mais de dois anos e sofria com as inseguranças e os medos que tal situação fomentava. Diante desse contexto, nosso (...) olhar, ao se voltar para a antiguidade clássica procura novas interpretações para a já conhecida literatura grega. No caso particular dessa análise, revisitei as comédias de Aristófanes em busca de como o autor tematizou o medo em suas comédias e pude notar que o comediógrafo registrou vocábulos do campo semântico de ‘medo’ de duas formas: em As Nuvens e Paz, o medo é usado de forma isolada em cenas cômicas de metacomédia para causar humor. Já em As Rãs, o medo é parte constitutiva de estrutura temática da peça e caracteriza o personagem Dioniso como um indivíduo em crise, diante de uma Atenas desestruturada. (shrink)

Este artículo se pregunta si los últimos escritos de Foucault, pertenecientes ya a la década de 1980, superan el déficit normativo que autores como Nancy Fraser o Jürgen Habermas habían criticado en la obra foucaultiana anterior. Y se argumenta que los últimos textos siguen siendo vulnerables a esas críticas, a pesar del giro hacia la cuestión ética del “cuidado de sí” y a pesar de la reivindicación del legado kantiano e ilustrado. En esta argumentación, la comparación de las ideas de (...) Foucault y Kant sobre las revoluciones y su legitimidad es determinante para comprender las dificultades normativas de la producción foucaultiana tardía. (shrink)

Apresentação da obra Nietzsche e a dissolução da moral.

O presente ensaio apresenta como ponto de partida o conto "Cadeira", do escritor português José Saramago, para ilustrar a contínua atualidade do estudo "Amizade, recusa do servir" da professora e filósofa Marilena Chaui, publicado em 1982 pela editora Brasiliense como posfácio da obra "Discurso da servidão voluntária", de Étienne de La Boétie. Nossa intenção é partir da alegoria saramaguiana da queda da ditadura salazarista em Portugal para mostrar como o pensamento de La Boétie, especialmente quando analisado por Chaui, trespassa incólume (...) séculos inteiros chegando até a contemporaneidade europeia e brasileira e que possíveis caminhos alternativos a este sistema podem se apresentar. (shrink)

Les textes rassembles ici marquent un tournant decisif de la philosophie biranienne: apres avoir developpe sa pensee dans les Memoires couronnes (tomes II, III, IV, VI), Maine de Biran, revenant sur ses pas, estime qu'il a laisse sans solution les problemes de la metaphysiques classiques. Il s'efforce d'y repondre a partir de son propre point de vue et elabore a cet effet ses theories de la croyance et de l'absolu: l'etre ne se reduit pas au phenomene qui le manifeste; etre, (...) ce n'est pas etre percu. C'est dans les Rapports des sciences naturelles avec la psychologie que Biran traite pour la premiere fois ces questions de maniere detaillee, ce qui l'oblige a reprendre sa distinction du sujet et de l'objet, et a revoir sa critique de Condillac et des cartesiens. On trouvera aussi dans ce volume plusieurs opuscules de la meme epoque abordant ces questions, et notamment des discours prononces a la societe philosophique qu'il animait alors. (shrink)

La verdad en cuanto ligada al lenguaje ha de ser concebida simultáneamente como coherencia y como correspondencia. Pero la palabra es siempre, a la vez, impotencia y fuerza creadora. Ahí es donde se sitúa realmente el tema de la verdad. La razón nos sitúa ante la responsabilidad de un proyecto y unos fines. La ciencia nos acerca a la verdad de lo que es la realidad en cuanto "acción racional de la razón practica". Se trata de un proceso de "empastamiento" (...) o progresiva coherencia, que no llega nunca a "tocar" la realidad. Hay una relación dialéctica entre nuestro juicio y la realidad. nuestra imputación de realidad se nos convierte en un "juicio de verdad" hermenéuticamente desvelada. (shrink)

La conscience, par laquelle nous sommes présents au monde, emprunte à notre corps la triple forme des dimensions spatiales que Descartes appelait „longum, latum et profundum” ; la diversité de ces dimensions est due à la manière plus ou moins intégrale dont l'être humain s'engage dans cette présence. I. En effet, l'engagement peut se limiter à la connaissance contemplative, c.-à-d., la connaissance qui ne passe pas aux actes. L'appareil imaginaire qui sert de symbole pour exprimer cette conscience d'autrui et du (...) monde, est emprunté aux gestes peu engagés des mains et des bras, au mouvement horizontal des yeux, le reste du corps étant plus ou moins impassible. Cette manière d'être présent constitue la dimension horizontale de la largeur, dimension qui correspond avec la largeur du corps, des bras étendus, de l'horizon. L'engagement devient plus intégral quand je fais l'effort de redresser mon corps, quand je me lève pour me mettre au travail et pour surmonter les difficultés qu'implique toute réalisation technique : ici, la présence au monde n'est plus seulement connaissance elle devient, dans et par le travail, emploi des moyens et maîtrise du monde. Par cette présence plus engagée et plus complexe, la conscience constitue une seconde dimension, celle de la hauteur qui vient s'ajouter à la largeur. L'effort que je dois faire pour acquérir ou créer une valeur est comparé avec l'effort à réaliser quand je redresse mon corps ; on compare la valeur du travail et l'effort de se lever. La quantité d'argent qui représente la valeur du travail ou d'un objet est un salaire ou un prix qui „monte” ; il permet de „monter” sur l'échelle sociale, de „subordonner” autrui. Cependant, l'être de la contemplation et de l'emploi des moyens est tel que ceux-ci ne trouvent pas leur sens en eux-mêmes ; ils renvoient à la présence qui entraîne la complexité totale de la personne humaine, au sens que l'homme cherche par la totalité de son engagement. L'attention à la vie, l'inclination vers le bien qui nous attire constitue une troisième dimension, celle du lointain. Le geste du corps qui représente cette attention est la marche en avant ; il est entamé par la „conversion”, le geste de l'homme qui détourne la face de ce qu'il déteste, pour la diriger vers ce qui l'attire il se prolonge dans le rapprochement, le mouvement qui fait disparaître les distances. II. La réflexion sur la structure respective des ces dimensions peut nous aider à mieux entrevoir le sens et la structure du langage humain. En effet, celui-ci est un comportement, un ensemble structuré de mouvements corporels : les modifications du visage, les mouvements du bras, la ligne des attitudes corporelles sont les gestes par lesquels l'intériorité, la transcendance ou l'intentionalité de l'homme se fait être-avecautrui. Le langage n'est pas seulement moyen de communication ; il est encore accès à l'intériorité et à la transcendance d'autrui. On devient homme en apprenant à structurer les mouvements corporels qui constituent le langage. III. Ceci ne veut pas dire qu'en analysant le langage on explore la totalité de l'être humain. La vie elle-même, dans laquelle les dimensions corporelles trouvent leur origine et à la laquelle elles doivent leur constitution, ne parvient jamais à exprimer dans le langage la totalité de ce qu'elle est. Mais dans l'analogie croissante des concepts et des gestes, attestée par l'histoire de la langue et de la culture humaine, elle montre une tendance constante à l'intériorisation et à la transcendance. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2017 Heft: 214 Seiten: 373-391.

Trata-se de relato de experiência sobre a rede de atençao psicossocial com populaçoes vulneraveis, populaçoes de imigrantes africanos e estrangeiros em geral que vivem no contexto francês através do Centro de Acolhimento a Refugiados. A reflexao busca estabelecer um eixo de consideraçao sobre a realidade do nordeste brasileiro com as perspectivas da epistemologia da Terapia Comunitaria criada pelo professor e médico psiquiatra Adalberto Barreto, e consideraçoes da pedagogia de Paulo Freire a fim de exercer o cuidado em saude mental para (...) pessoas expostas a extremas violências de ordem étnica, cultural, psiquica, econômica, social e moral. O relato revela que os conhecimentos e experiência brasileira estao sendo aprofundados e desenvolvidos por profissionais da saude mental no contexto francês através da clinica da antropologia médica, junto ao Polo de Pesquisa Médica Psicologica Associaçao Minkoviska em Paris com apoio do Ministerio da Saude da França. (shrink)